Friday, 26 November 2010

Article research

Turner was born in Muharraq, Bahrain, and grew up in Meonstoke, just outside Winchester, England. Turner attended Eton where he was educated alongside Prince William, and later went on to attend the London School of Economics where he studied History. His father Roger Turner, is the son of Sir Mark Turner, formerly chairman of high street retailer Bhs, and had himself also attended Eton before becoming a City investment banker, while his mother, Jane, the daughter of a bishop, is a primary school headmistress.

In 2001, Turner joined London post-hardcore band Million Dead at the invitation of former Kneejerk drummer Ben Dawson. In 2005, after four years and two albums, the band announced that they were parting ways, as “irreconcilable differences within the band mean that it would be impossible to continue.
Turner's first solo EP, Campfire Punkrock, was released in May 2006 on Xtra Mile Recordings, with him being recorded and backed by Oxford band Dive Dive who he had met while out on tour with Reuben. Band members Tarrant Anderson, Ben Lloyd and Nigel Powell would become his backing band from this point on, with most of his subsequent UK headline tours being full band shows. After touring in support of American singer-songwriter Jonah Matranga, the two released a split EP in August 2006. In September, he was the last act to appear on Steve Lamacq's “Lamacq Live” show on BBC Radio 1.  Turner's debut full-length, Sleep Is for the Week, was released in January 2007, again recorded at Dive Dive's studio, produced by their guitarist Ben Lloyd and featuring drummer Nigel Powell.

He supported The Gaslight Anthem on their tour of the UK and Europe, demoing several new songs and announcing his plans to record a new album in May.

I used to be in Million Dead you know... It was a lot of fun for four years, and then we broke up, which was a real shame. In the aftermath of years of touring in a hardcore band, ears still ringing, I decided that I wanted to try my hand at the lighter end of my music taste for a while, and follow up my love of all things folk / acoustic / country. And maybe along the way show that it is possible to write simple acoustic music without sounding like james blunt, and whilst retaining some passion, anger, and a sense of humour.

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